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10 statements

  • 1 land as an expensive commodity
  • 2 love of nature
  • 3 collective responsibility for sustainability
  • 4 wealth of urban planning
  • 5 cooperation as challenge
  • 6 director and script writer
  • 7 handwriting and language
  • 8 composition of empty space
  • 9 analysis and intuition
  • 10 arrangement of form and emotion

Discussion about style is interesting, but not essential in the long run. The best example of this is the composition of two houses that we developed for Alvaro Siza in The Hague: one in the style of the Amsterdam School, the other in the style of Neue Sachlichkeit - two styles that competed with one another in the Twenties and each thought it was the true one. The beauty of the project lies in the combination of introverted and extroverted, heavy and light, tactile and abstract. Style is an outdated phenomenon. Architecture needs a handwriting that can write in different languages in order to be able to respond adequately to each location and assignment.

Discussion about style is interesting, but not essential in the long run. The best example of this is the composition of two houses that we developed for Alvaro Siza in The Hague: one in the style of the Amsterdam School, the other in the style of Neue Sachlichkeit - two styles that competed with one another in the Twenties and each thought it was the true one. The beauty of the project lies in the combination of introverted and extroverted, heavy and light, tactile and abstract. Style is an outdated phenomenon. Architecture needs a handwriting that can write in different languages in order to be able to respond adequately to each location and assignment.